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Rutherford & Company
The origins
of Rutherford and Company go back to the middle of the 18th
century when the family acquired a tavern just off the High Street in Edinburgh.
History tell us that
‘Kindly
Mrs Rutherford’s tavern in Craig’s Close was favoured by the merchants who congregated
at the Mercat Cross to discuss business’. Amongst her regulars was Robert
Burns, with whom the family has some intriguing connections. Another noted literary
connection is with Sir Walter Scott whose grandmother was a Rutherford. The
tavern prospered and before the end of the century the family had acquired another
two. By the time that her grandson William came into the business they had a
string of taverns across the city and were established as one of the leading
wine and spirit merchants in the capital. William formally established the business
of Rutherford & Company in 1834 and set up in cellars in Niddry Street,
just a stone’s throw down the road from their original inn. Although William
purchased the best of whiskies direct from the distilleries, the powerful single
malts of the time were not to everyone’s taste and many of his clients preferred
ale, brandy or claret. Soon he was shipping fine wines and cognacs from France
and ports from Portugal and was supplying not only his own taverns but many
others in the city. The cream of Edinburgh society purchased their wines from
Rutherford’s and also the smoked hams, cheeses and other continental delicacies
now being imported by the Company. A new, modern warehouse was built, across
the road from the cellars in Niddry Street and the business flourished. When
the practice of blending malt with the new grain whiskies became established
in the 1860’s, Rutherford’s were quick to develop a range of whiskies renowned
for their smoothness. The resulting blends were to prove a popular and palatable
drink for all classes and when the vineyards of France were devastated by disease
and cognac was suddenly unobtainable, Blended Scotch Whisky soared in popularity.
Soon it was being exported in huge quantities to every corner of the world and
the Whisky Companies of Glasgow and Edinburgh rode the crest of a wave. But
while many of its competitors took advantage of the new demand for Scotch and
developed substantial sales in London and overseas, Rutherford & Company
was content to concentrate on its traditional market in Edinburgh. As a result,
Rutherford’s was never to experience the surge in growth that turned many other
companies into international brands. It remained a ‘local’ company, operating
its own chain of inns and wholesaling wines and spirits to Edinburgh retailers.
The company struggled during the 1920’s and 1930’s and the new generation of
family members turned to the professions for their careers. By 1950 there were
no Rutherfords left to operate the business and the family had to make a difficult
decision.

Rutherford’s
and the MacRaes
The Rutherford and MacRae families were related as early as the beginning of
the 18th Century, so closely in fact that the MacRaes unsuccessfully claimed
the then vacant Lordship of Rutherford. However, the families went their separate
ways with little contact until 195 3.
Then, the business of Rutherford & Company found itself in a difficult situation
with the family members pursuing various professions and having little interest
in the company. An approach was made to the MacRae family, now active in the
trade in Glasgow, and within a short time Rutherford & Company had been
acquired by McRae Brothers (Distillers) Ltd. The cellars and warehouse in Niddry
Street
were retained but a number of Rutherford’s Public Houses were sold off, as were
those owned by McRae Brothers in Glasgow. The two companies worked closely and
concentrated their efforts on blending and bottling a range of whiskies for
the export market. From 1952 until 1963 the company maintained an Office in
London and a Sales Office in Denver, USA. and substantial sales were made throughout
North America and Australasia. Subsidiary companies included Northern Bonders,
McRae Brothers Ltd and Glenelg Whiskies. They also operated the Rob Roy Highland
Motel at Aberfoyle from 1957 until 1969 and the Imperial Hotel in Edinburgh
from 1955 until 1971. In 1952 McRae Brothers purchased a bonded warehouse in
Montrose, on the
north east coast, and set up a blending, bottling and storage operation there
under the name of Bow Butts Bonding Company. By 1960 the premises were too small
for their needs and Bow Butts leased one end of a large jute mill in Montrose.
As the jute industry declined Bow Butts expanded, first purchasing the premises
that they leased and then in 1968 the remainder of the mill. Rutherford’s sold
off their Edinburgh premises, McRae’s their Glasgow premises and both companies
relocated their businesses to Montrose, now trading under one name, Rutherford
and Company Ltd. When the Bow Butts Bonding Company was sold to Dundee rum and
whisky merchant George Morton
Ltd in 1975, Rutherford’s retained the part of the buildings occupied by themselves
and their new associate company, Montrose Potteries Ltd. Times have changed.
The Bow Butts Bonding Company has now gone, the warehouses converted into houses,
but Rutherford’s and Montrose Pottery remain, though operating now on a more
modest scale on a new site close to Montrose.

The Spirit
of Scotland Book Decanters. 
The idea for these was conceived
by Glasgow Whisky Merchant Russell Paterson and he marketed them for a number
of years before selling the rights to the products to Rutherfords.
The Company had built up an excellent sale of the Book decanters in its specialist
wine and whisky shop in Glasgow and when it was offered
the rights in 1968 it accepted with enthusiam. Initially, supplies of empty
decanters were obtained from the historic Govancroft Pottery but the quality
was poor and delivery unreliable.
Rutherford’s had an empty building at its Bow Butts Bonding Company premises
in Montrose
and the decision was taken to create their own pottery manufacturing operation
there. Up until this time the ‘Spirit of’ books had been produced
in eleven colours, each entitled The Spirit of a different
country and containing the liquor produced by that country. It was decided to
discontinue all except Scotch Whisky and the new Montrose Pottery manufactured
the books in black, green, brown and burgundy, numbered Volumes 1 to 1V, and
all entitled The Spirit of Scotland. The books were
made in three sizes, full bottle, half bottle and miniature. Initially they
were dressed with a paper label on the spine but in 1974 the shapes were redesigned
and the paper labels replaced with gold transfers fired onto the glaze. The
1974 shapes are still in production but The Spirit of Scotland
books are now glazed with a black spine and white front and rear covers decorated
with a range of images. The 25cl and 5cl books are also produced with a green
spine under The Spirit of Burns brand and a number
of limited edition commemorative miniature books have been produced with spines
glazed cobalt, pale blue or pink and with gold text. The spine text on the latter
reads ‘A Limited Edition’ instead of ‘The Spirit of Scotland’.
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Volume No. |
Title |
Content |
Colour of Decanter |
| Volume
1 |
The
Spirit of Scotland |
Scotch
Whisky |
Black |
| Volume
11 |
The
Spirit of England |
Gin |
White |
| Volume
111 |
The
Spirit of Ireland |
Irish
Whiskey |
Dark
Green |
| Volume
1V |
The
Spirit of France |
Cognac |
Pale
Blue |
| Volume
V |
The
Spirit of Denmark |
Cherry
Brandy |
Purple |
| Volume
V1 |
The
Spirit of Spain |
Sherry |
Brown |
| Volume
V11 |
The
Spirit of Portugal |
Port |
Dark
Pink |
| Volume
V111 |
The
Spirit of The Indies |
Jamaica
Rum |
Chocolate |
| Volume
1X |
The Spirit
of Israel |
Alicante |
Nile Green |
| Volume
X |
The Spirit
of Russia |
Vodka |
Red |
| Volume
X1 |
The Spirit
of Holland |
Blackberry |
Yellow |
Montrose
Pottery 
Montrose Pottery
was established in 1969 to manufacture one specific product, the book
shaped ceramic bottles. It took some three or four years before the pottery
was up to speed and by then it was producing decanters for a number of other
companies in the whisky trade. These included the well known Black Bulls in
two sizes, a unique decanter for Willsher’s Dundee Scotch ‘n Orange Liqueur,
the Abbot’s Choice figurine bottle and a more traditional shaped flagon for
Chequers Scotch Whisky. A variation on the miniature book was the ‘Castles of
Britain’ series, depicting 9 different British castles, filled with Drambuie
and presented by British Airways to passengers flying on Concorde. Our first
commemorative mug was produced for Luthermuir School and hundreds of wall plaques
were made to commemorate the 50th anniversary of Chivers Jam factory
in Montrose. The 200th Anniversary of Sunnyside Hospital was marked
by a miniature jug filled with whisky and the 21st Anniversary of
Montrose & District Round Table by an elegant black decanter. Soon a steady
stream of visitors was knocking on the pottery door, asking to see around, so
a range of mugs and other items was produced for them to buy. But the Pottery
was really all about whisky decanters and these constituted over 90% of its
production. At its peak in the late 1970’s the Pottery employed over 35 people,
mostly female. Hundreds of thousands of decanters were produced, many of them
destined for South America. But difficult days lay ahead for both the pottery
and whisky industries. By 1983 the business had relocated to Glasgow and employee
numbers were less than ten. Trading now as Rutherford & Company, they concentrated
on producing the company’s own range of whisky filled ceramics. Yet another
change in circumstances saw the business move back to Montrose and build a new
workshop in a rural location one mile outside the town. Today Montrose Pottery
is a one man business, concentrating on making decanters for its associate company,
Rutherford’s Whisky Ceramics. The pottery also makes a range of mugs and other
non whisky items and has an extensive selection of garden pots.
Our Whisky
Liqueurs
Our first venture into making Whisky Liqueur in 1952 was the result of family
preference for a lighter drink than was then generally available. Although our
family members much enjoyed Drambuie and Glayva, our ladies found that they
actually preferred them reduced in strength by adding a mixer and being taken
as a long drink. Why not make a lighter liqueur that could be enjoyed as it
came, straight from the bottle? Although Bonnie Prince Charlie did gift the
MacRaes his tartan (now known as the Prince’s Own and worn with pride by MacRaes)
it is a source of regret that he did not gift us the secret recipe for our Whisky
Punch. That was created by Company Chairman Robert McRae after many months of
experimenting with herbs, spices and essences in the kitchen of his family home.
Every week or so he would appear with a new bottle of murky brew and offer this
for critical analysis. Eventually, after almost a year of experimentation, the
McRae ladies gave their seal of approval and
our Whisky Punch was ready! Although it was much enjoyed in the company’s establishments
where it was available, Whisky Punch was not to be a huge seller. Perhaps the
market was not yet ready for a Scotch based long drink but a major problem was
the lack of finance necessary to take such a product to a wider market. Nevertheless,
Whisky Punch was produced from 1952 until 1978, being available in 24 fl.oz,
12 fl.oz and miniature sizes. The original strength of 46 degrees proof was
increased to 50 degrees in 1970 and the name was changed from Whisky Punch to
Scotch Punch. The attractive shaped brown bottle created for Whisky Punch is
still in use by Rutherford’s today for other products.
An interesting
variation of Whisky Punch was produced during the early 1970’s. At that time
the company’s Bow Butts Bonded Warehouse was bottling huge amounts of Black
Bull Scotch Whisky for Dundee based George Willsher & Company and it’s American
partner Jack Gross of Baltimore. Black Bull was filled into a range of bottles
ranging from a massive 1 gallon down to the ‘hip flask’ flat quarter bottles
popular with those attending sporting events in the United States. In an attempt
to reduce alcohol related trouble at such events, the United States Government
prohibited the filling of Scotch into the smaller, flat bottles and their sale
ceased overnight. But not for long! The restriction applied only to Scotch Whisky
so Bow Butts added a minute amount of sugar, indiscernible to the taste but
enough to ensure that the spirit was legally no longer Scotch but was now a
liqueur! Sales boomed again until the United States Government saw the futility
of their action and removed the prohibition. Disaster! George Willsher was now
sitting on a huge quantity of adulterated spirit, neither Scotch nor a proper
liqueur. The sugar could not be removed so the only option was to use the spirit
as a base for a real liqueur, a variation of Whisky Punch. And so Willsher’s
Dundee Scotch ‘n Orange was created! Bow Butts associate company
Montrose Pottery produced an elegant cobalt blue decanter and Scotch ‘n Orange
was shipped to the United States for about six years before production ceased.
The MacRaes and Robert Burns
One prominent
MacRae ancestor is James MacRae, one time Governor of Madras and commemorated
by a monument at Monkton, near Ayr. MacRae had run away to sea as a boy and
had progressed through the ranks to become one of the East India Companies most
talented captains. A natural leader and a brilliant seaman, he had made his
name, and a considerable fortune, hunting the pirates who plagued the Company’s
ships. Appointed Governor of Madras in 1725, he tackled with enthusiasm the
corruption that was rife in the city, laid down the beginnings of an efficient
water and sewage system and introduced a degree of efficiency previously unknown
into the way that the Company operated. Retiring in 1730, he returned home with
an astonishing hoard of diamonds, the source of which has never been identified.
With no immediate family, MacRae lavished his fortune on a cousin, Bella MacRae,
in appreciation of her earlier kindness to his mother. Married to a carpenter
and living in poor circumstances, she found her family installed in a fine farm
at Ochiltree and her children bought the best education available. MacRae continue d
his interest in the family and when the eldest daughter, Elizabeth, was of age
he arranged an advantageous marriage to William Cunningham, the thirteenth Earl
of Glencairn. William’s concerns about his new wife’s lowly social standing
was no doubt tempered by her dowry of £45,000 in diamonds and an estate worth
£25,000! Elizabeth, now Countess Glencairn, never forgot her origins and became
a greatly respected member of Scottish society. She and her son James, the fourteenth
Earl, were much loved patrons of the young Robert Burns and MacRae money was
influential in introducing Burns to Edinburgh society. The young Earl of Glencairn
was instrumental in arranging the publication of the extended Edinburgh Edition
of Burns work and he and his mother underwrote its success. Even after Edinburgh
had tired of Burns, Glencairn remained his patron and it was he who secured
for Burns his appointment as a riding officer with the Excise Service. When
Glencairn took ill and died an untimely death in 1791, Burns was moved to write
one of his most poignant laments. He further honoured his friend and sponsor
by naming his fourth son James Glencairn Burns. If Captain James MacRae had
never run away to sea, made his fortune and lavished it on Elizabeth and her
family, would we ever have known of Robert Burns?
O! why has worth so short a date,
While villains ripen grey with time?
Must thou, the noble, gen’rous, great,
Fall in bold manhood’s hardy prime
Why did I live to see that day-
A day to me so full of woe?
O! had I met the mortal shaft
That laid my benefactor low.
The bridegroom may forge his bride
Was made his wedded wife yestreen:
The monarch may forget the crown
That on his head an hour has been:
The mother may forget the child
That smiles sae sweetly on her knee;
But I’ll remember thee, Glencairn
And a’ that thou has done for me!
Robert Burns, 1791
Today, we at Rutherfords are proud to
perpetuate our connection with the Bard through our unique
The Spirit of Burns range of whisky
ceramics.
Our early
days in whisky distilling.
Just around the time when William Rutherford was setting up his cellars in Niddry
Street, Edinburgh, his distant kinsman Alister Mhor
(Alexander MacRae) was building a new home for his family on a tiny island close
to the shore of Loch Monar, high above Strathfarrar, on the old drove road that
crossed the mountains between Beauly and Kintail. Forced out of the traditional
clan homelands of Wester Ross by famine and land hunger, Alister took advantage
of the ancient law that gave him squatter’s rights if he had his house built
and the lum reekin’ before the landowner attempted to move him on. Assisted
by his wife, he soon had constructed a simple dwelling using the rough hewn
stone that lay all around with a roof thatched with heather and complete with
smoking chimney! They cleared a small area of the mineral rich ground and grew
barley and potatoes and, once their presence had been accepted, constructed
a causeway linking the island to the shore at Pait. People had been distilling
their own spirit for generations, using their surplus grain to produce whisky
to warm away the cold winter nights with a little left over to sell on to their
neighbours. Government legislation had now banned this practice, restricting
whisky production to the new licensed distilleries and folk like Alister saw
a new career beckoning! He set up his illicit stills in a little bothan by the
burn at Cosaig, not far from the edge of the loch and was soon in full production.
Before long, his whisky was being distributed throughout the district and even
the laird became an established and satisfied customer! However, excise officers
were scouring the countryside for illicit distillers and it was not long before
a large group found Alister hard at work in his exposed location. They arrested
him and marched in triumph to Dingwall, but there was no shame in being caught
distilling ‘illicit’ whisky, an activity that had been an essential part of
Highland life for hundreds of years. Convicted and fined, he returned to the
cottage at Pait determined
not to be caught again. He rebuilt his stills in a new and more remote location,
high on the slopes of Meall Mor and it was here that his son Hamish Dhu learnt
his trade. Long before his father died in 1887 at the age of 97, Hamish had
surpassed him with his skills and his ‘Pait Blend’ was renowned as a whisky
of the highest quality. Regarded as superior to many of the ‘licensed’ whiskies
it was much sought after from Kintail to Inverness and, of course, being ‘duty
free’ it would also have been much cheaper!.
Much of Hamish’s
distilling took place during the long winter months when snow made it hard for
the gaugers to travel but they did make at least one excursion up the loch by
boat, looking for telltale wisps of smoke on the hillside. No doubt the considerable
local support that the MacRaes enjoyed had resulted in the boat being delayed
and a warning sent ahead. On another occasion, the excisemen were persuaded
to enjoy the local hospitality at Ardchuick while on their way to apprehend
Hamish. The next morning they were unable to continue on their mission, ill
as the result of drinking ‘bad’ whisky, and they dragged themselves back to
Dingwall. Hamish went to great lengths to assure the district that the ‘bad’
whisky was not of his making!
Hamish and
his sister Mary were by now getting older, the stills were worn out and the
increased activities of the excisemen made operating increasingly difficult.
His father had been a large and well proportioned man of exceptional strength
with a reputation for being wild when roused and the gaugers had been more than
a little wary of him. Although Hamish was of similar build and strength, the
excisemen had become more organised and better resourced and he was not regarded
with the same apprehension that his father had been.
In 1901 Hamish
decided on a final twist of the gaugers’ tail. He reported the finding of a
still (his own!) and after leading them to the site he claimed the £5 reward
offered by the Government and retired from what most highlanders regarded as
an honourable trade. He was a larger than life character, much liked and well
respected in his community.
Despite his very basic way of life, he would regularly don full Highland Dress
on a Sunday and visit the laird for a dram and a blether. When he died in 1915
he was taken home to the ancient burial ground at Clachan Duich in Kintail,
where he lies beside his Father, Mother and Sister.
Although it
was a popular whisky in its time, it is unlikely that the Pait Blend would have
appealed to the palate of today. Our 21st century dram must, by law, be matured
for a minimum of three years in oak casks before it can even be called Scotch
Whisky. In practice, most whiskies are matured for considerably longer than
that to allow the flavours to develop and the rough edges to be smoothed off.
Hamish’s whisky would have been sold and drunk as soon as he could distribute
it and would have been a rough, fiery and very powerful drink with considerable
character! The same adjectives might have been used to describe our ancestors,
James ‘Hamish Dhu’ MacRae and his father Alister Mhor!
But the Pait
Blend did not die with Hamish Dhu. Hamish and Mary had a younger brother, Alexander
Andrew, who had been born at Pait in 1857. Alexander and his wife Christina
left Scotland to make a new life in New Zealand and were joined in Southland
by a number of cousins, one of whom brought with her Alister Mhor’s recipe
for making whisky. When prohibition was introduced to New Zealand in 1902 the
MacRaes once again saw opportunity beckoning! Soon, the family was hard at work
supplying not only the community but also the local constabulary with Hokonui
moonshine. Some 51 years and over 30 prosecutions later, the making of whisky
was legalized and today visitors to the Hokonui Moonshine Museum in Gore can
not only learn the story of the MacRaes tradition of illegal whisky making in
New Zealand but can purchase a bottle of Old Hokonui whisky, still being made
to Alister Mhor’s original recipe!
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